Where this version does score, however, is in highlighting the story's comedy. On the stage we see Ruby Wax's witch taking off her wig to display a scabby cranium, which is somehow not quite the same. ![]() There's a great moment in the book, however, when the Grand High Witch removes her youthful mask to reveal the rotting face beneath: Dahl's image of "the skin all cankered and worm-eaten as though maggots were working away in there" is worthy of Webster's The White Devil. ![]() Wood follows faithfully Dahl's story of a Norwegian orphan and his wise old gran foiling a witches' plot to turn all the children in England into mice. Now he brings us David Wood's version of Roald Dahl's children's classic which might be dubbed Of Mice and Boys.īut, while it makes for jolly holiday entertainment, it lacks some of the eldritch horror of Dahl's spooky original. J onathan Church's last transfer from Birmingham Rep to the West End was Steinbeck's Of Mice and Men.
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